Everybody complains about Twitter, but nobody does anything about it

Apologies to Mark Twain* for bowdlerising his quote, but it has happened again – somebody has made something up on the internet, without a thought for fact-checking or journalistic integrity. What’s worse is they then used the unregulated media of Twitter and Facebook to spread these lies. Worse still, this latest fabrication sullies the name of that fair and balanced journalistic institution, Fox News. Laugh? I nearly tweeted.

Padraig Belton, in the Irish Independent, told us yesterday that the world is not always as it seems. To support this skeptical world-view, he cites the infamous “Brian Cowen hangover” interview and this picture that did the rounds last week:

Photoshopped screengrab of Fox News Toolooz
Fox News. It's bad, but not this bad

Belton says:

In both cases, social media and citizen-journalism – not long prior heralded engines of a new democratic dispensation – were manipulated in political hatchet jobs.

Political hatchet jobs? I can see how the Cowen interview may have been politically motivated, but what’s the political motivation for “Fox News is rubbish”? Even if you could answer that, who cares? It’s not meant to be journalism. It’s meant to be a joke.

To illustrate the dangers of photo manipulation, he could have used North Korea’s nine-foot soldier, or Iran’s cloning-tool wars.  But he wanted to illustrate the threat of Twitter, so chose a joke.

That joke took a report of a multiple murder and tried to get a laugh at the expense of a cable channel renowned for screaming hyperbole and screw-ups. For example, the original, undoctored image was taken from a Fox News broadcast in which they mistakenly used a picture of Tina Fey on Saturday Night Live to illustrate an item on Sarah Palin. Here’s the video (if you can trust it):

Belton then trots out a litany of other supposed deceptions, some of them nothing to do with Twitter or Facebook – such as the Sunday Times using an illustration of John ‘Soap’ MacTavish, a character from the Call of Duty game, in a graphic of a failed hostage raid – and some of them actually unearthed by social media themselves, such as ITV’s mistaken use of video game footage in a documentary about IRA links to Gaddafi:

Jokes aren’t journalism

It is Belton’s mixing and mashing of media and platforms – very 21st century for such an avowedly traditional journalist – as he takes in broadcasters, papers, Twitter, Facebook , Wikipedia, and Youtube, that makes his point so hard to pin down.

The Fox News image is a joke. The Guardian’s Cowen tape and ITV’s IRA documentary were inadvertent foul-ups. The 50-cent commenters of China and Wikipedia editors of Capitol Hill are engaged in politics less filthy than the past (remember ‘ratfucking‘?). The  RTE-bashing over the Sean Gallagher debate continues the Indo’s delusion that a false tweet lost him the presidential election rather than his floundering inability to decisively rebut its fabricated content on the night.

So what is Belton’s point? If it were simply “do not believe everything you read online”, well, duh. However, he concludes:

Quality journalism, employing social media like Dorian’s portrait to preserve the likeness of vitality, is too quick to abandon its fact-checking traditions.

That sounds depressingly like a newspaperman putting his own trade on a pedestal of probity (despite every print journalist you ever met knowing someone who has massaged a quote, fudged a statistic, or concealed one of their screw-ups). Belton is in good company – John Fleming had a go at Twitter a couple of weeks ago on Hugh Linehan’s Irish Times blog, John Waters has borne the internet curmudgeon’s cross for the Irish Daily Mail (they don’t put his columns online, funnily enough), and Eamon Delaney maintains, terrifyingly, that we should regulate what has become a “cacophony of noise, but at the lowest common denominator”. Conor Brady and Alan Crosbie have both supported calls for State support of the press, which would just bring regulation by another route.

Time for some whataboutery

Donald Segretti faked a letter to discredit one of Nixon’s political rivals. Newspapers followed it up, yet nobody denounced the postal service as a network used by liars. The Sunday Times agreed to print the “grotesquely … fake” Hitler diaries, yet the writing and serialisation of memoirs remains inexplicably legal. If a newsroom takes an anonymous call that contains libellous information, we do not blame the telephone network. If a lobby journalist misinterprets a hand-written note from one minister to another, we do not call for the regulation of paper and pencil.

If a journalist prints or broadcasts material from social media networks, or wikipedia, or a message board, or email, and never bothers to check whether it is true, it is not a failure of the internet, it is a failure by the journalist.  

Flesh-and-blood sources feed bullshit and PR bumf to journalists in person and on paper every day, but they have developed tools for sniffing it out. Newspapers should be extending the use of these tools online and developing new ones when they fail, rather than indulging in this incessant hand-wringing over media their correspondents barely understand and rarely use. Complaining about the climate isn’t going to change it.

“A man is never more truthful than when he acknowledges himself a liar”

– this one is really by Mark Twain. *The one in the headline is by his friend, Charles Dudley Warner. I knew that, but wrote it anyway.

Now we know what Cowen was hiding

I am having real difficulty getting my head around Picturegate.

Had somebody stood up in the Dáil and shouted: ‘”The Taoiseach has a small penis” there would be less exposure, indecent or otherwise,  than what has resulted from the State’s ham-fisted censorship.

RTÉ got a deserved roasting by Twenty, Damien and Gavin , but facts are still thin on the ground.

Censor this Taoiseach
Censor this Taoiseach

What I would like to know is who, specifically, ordered the Government Press Office to lean on RTÉ to make an apology and who in the national broadcaster caved in. Did Eileen Dunne, the newsreader who did the original report, agree?

It would also be amusing to know which dim-witted PR adviser thought this would be a good idea – I can only assume they have never heard of  blogs, Twitter or YouTube.

If Brian Cowen had let this slide, it would have been a one-night story, with a possible follow-up when the artist came forward. The way Biffo handled it has made it a week-long story and a  T-shirt.

Now the gardai are involved – police are investigating a cartoonist for drawing cartoons. They are even threatening a radio station with a warrant to seize email information on the artist (Today FM, at least, refused to roll over).

Again, we need facts – who made the initial complaint to gardai?  That is surely a matter of record. Have CCTV tapes been handed over? Have the frames been fingerprinted? What crime, exactly, has been committed?

If Gordon Brown ordered the BBC to pull a piece, say on a Steve Bell cartoon, and then apologise for it, can you imagine the outrage? And the BBC is entirely dependent on the licence fee. RTE doesn’t even have that feeble excuse.

If the offence felt by Cowen is real, he should have made a complaint in a personal capacity – just as any other citizen can. If he wants to avoid dishonour on the office of the Taoiseach, he should call an election and see if the Irish electorate does him the honour of actually voting for him. Whether by design or not, all of this takes attention away from the fact that Cowen is up to €6 billion short on next month’s budget.

Non-State Irish media must not allow this Government to mask such an abuse of its power – they might be next.